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Die Verwandlung der Welt in Musik (The Transformation of the World into Music)

Nov 22, 2017 We begin with the latest entry in Reverse Shot’s symposium on time, Chris Wisniewski’s, on Rainer Werner Fassbinder’s The Merchant of Four Seasons (1971). The focus here is on “a sequence that seems at first ordinary and unravels under scrutiny,...

Sep 8, 2009 “It’s not my fault that I’m Japanese . . . yet it’s my worst crime that I am!” The words are those of Kaji, hero of The Human Condition (1959–61), but in his anguish and existential despair, he also speaks...

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 28, 2020 I first fell in love with Miranda July’s work with her strange, wild, poignant short stories;  her stories led me to her novel  and first two feature films, which I watch so  often that they have over time become spiritual...

Jun 12, 2024 Veljko Vidak’s documentary on the construction of a movie theater in a Finnish town screens with five films by Aki Kaurismäki.

May 14, 2018 In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.

August Books

The Daily

Aug 24, 2026 New, forthcoming, and noteworthy titles include one of the most debated novels of the moment.

Werner’s World

Features

Aug 6, 2019 Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...

Nov 30, 2017 New York. With The Non-Actor, a Film Society of Lincoln Center series programmed by Dennis Lim and Thomas Beard, running through December 10, J. Hoberman writes a brief but rich history of the notion for the New York Review of...

Sep 30, 2013 The author describes his interactions with the great Polish filmmaker.

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