The Criterion Collection
Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
Essays
Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.
The Daily
Jan 5, 2024 — Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.
Features
Dec 31, 2023 — We’re ringing in the new year with a look back at a selection of the most exciting pieces we published in 2023.
The Daily
Dec 22, 2023 — An appreciation of Raúl Ruiz, a chat with Maggie Renzi and John Sayles, and a holiday lightning round.
The Daily
Dec 19, 2023 — Year’s end brings new translations of Serge Daney and Jean Cocteau and new books on Francis Ford Coppola and Jia Zhangke.
The Daily
Dec 14, 2023 — Greta Gerwig will preside over the jury in Cannes, Sundance will celebrate forty years, and the Berlinale names a new director.
Dec 13, 2023 — In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...