The Criterion Collection
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
The Daily
Feb 26, 2026 — This year’s program features a new restoration of a Martin and Lewis comedy in Technicolor and 3D.
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
The Daily
Jul 11, 2022 — Three Iranian filmmakers are arrested while another wins the top award in Karlovy Vary.
On the Channel
Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.