Cela s’appelle l’aurore

Dec 12, 2019 — Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Nov 18, 2019 — One of the most ambitious feature debuts in recent cinema, Hu Bo’s An Elephant Sitting Still is a daunting challenge for any viewer: not only does this nearly four-hour cri de coeur plunge audiences into the spiritual desolation of China’s...

Nov 13, 2019 — Flowers and vegetables pulse, slither, and take dirigible flight; a horse becomes a pampered, petulant lover; a diminutive porcelain mouse transforms into a muscled superhero to save a beleaguered heroine: these are just some of the arresting images in the...

Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...

Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.

Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.

Aug 13, 2019 — Something uncanny is brewing in George Sikharulidze’s Fatherland. This darkly comedic film transports us to a spring evening in Joseph Stalin’s birthplace—Gori, Georgia—where the townspeople have gathered on the sixty-third anniversary of their long-departed leader’s death. What follows is part...

Aug 9, 2019 — This week we’re revisiting the work of Ida Lupino, Nicholas Cage, Juraj Herz, Spike Jonze, and more.