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A History of Violence

Aug 9, 2010 Now that Terry Zwigoff’s Crumb is fifteen years old, it seems pretty safe to say that it has evolved from a potential classic to actually being one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy...

Mar 10, 2003 The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...

Jul 22, 2022 Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.

Jan 7, 2021 That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...

Jul 5, 2020 Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...

Dec 17, 2025 This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.

Bleak Week 2025

The Daily

Jun 2, 2025 More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.

Jan 8, 2025 We’re looking forward to new work from Richard Linklater, Bong Joon Ho, Kelly Reichardt, Christian Petzold, Chloé Zhao, Sebastián Lelio, and many other filmmakers.

Jul 2, 2024 Self-destruction is not only an aesthetic but its own subject matter in Sam Peckinpah’s deeply elegiac western, a towering masterpiece that examines American power and greed.

Jun 25, 2024 Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

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