The Criterion Collection
The Daily
Jun 17, 2021 — On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.
The Daily
Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
The Daily
Nov 19, 2020 — This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.
The Daily
Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.
Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
Features
Jun 15, 2020 — The eye contact, the exhilarating anxiety of sharing private tastes, the power of knowing what you want and summoning up the courage to ask for it: in case you can’t tell, I’m talking about the once-upon-a-time experience of renting a...
Jun 10, 2020 — Years ago I took a seminar on movie stars led by the writer Wayne Koestenbaum, a glittering episode that closed out a rather colorless stint in graduate school. The syllabus was replete with inspired double bills—Deleuze on Leibniz + Lana...
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....