The Criterion Collection
Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...
The Daily
Nov 4, 2019 — The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
Features
Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...
The Daily
Oct 17, 2019 — Two series offer a wide range of thematic and historical perspectives on the Japanese capital.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
The Daily
Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.