The Criterion Collection
Sep 3, 2007 — I’m on a flight back from the Telluride Film Festival and two and a half great days in the mountains. Telluride has been an important festival for Criterion and Janus for years. It’s a great opportunity to mingle with filmmakers...
Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.
Essays
Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.
Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.
Feb 19, 2007 — For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.
Dec 4, 2006 — I had said that I was going to write about growing up with a projector in my attic, and Peter’s writing about home last week brought back some memories. Movies were cool. In the late sixties, my father would bring...
Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.
Essays
Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.