Film

Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.

Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.

Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.

Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.

Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Mar 25, 2024 — Retrospectives in London and Hong Kong and a screening in Ghent are devoted to the work of the Spanish director.

Mar 22, 2024 — This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.

Mar 20, 2024 — BUFF’s twenty-fourth edition offers plenty of scares and local talent.

Mar 20, 2024 — The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.