The Criterion Collection
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
The Daily
Apr 29, 2024 — The festival presents restorations of films by Renoir, Hawks, Malick, and more in Sydney and Melbourne.
Features
Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.
The Daily
Apr 26, 2024 — This week offers reflections on the work of Ryusuke Hamaguchi, Béla Tarr, Satyajit Ray, Philip Seymour Hoffman, and Joan Chen.
The Daily
Apr 26, 2024 — The director of Human Resources (1999), Time Out (2001), and The Class (2008) has died at sixty-three.
The Daily
Apr 26, 2024 — The Official Selection is complete, Classics celebrates twenty years, and beyond Cannes, summer events are lining up.
The Daily
Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.
Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.