The Criterion Collection
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Sep 24, 2019 — Bill Forsyth is Scotland’s most famous filmmaker, and Local Hero (1983) is his most famous film—for many, the true subject of Local Hero’s title is the Glasgow-born writer-director himself. The enduring affection and adulation for Local Hero stem from the...
Sep 20, 2019 — A fresh reading of Dr. Caligari, a deep dive into War and Peace, Terry Zwigoff’s “immersive screenings,” and Beyoncé’s multimedia project are among this week’s highlights.
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...
The Daily
Sep 13, 2019 — Lucrecia Martel, Annette Michelson, Satyajit Ray, and Joanna Hogg feature in this week’s round.
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
Features
Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.
Aug 29, 2019 — Catherine Deneuve and Juliette Binoche star as a mother and daughter clashing over contrasting versions of their past.