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A Way Out

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Jul 21, 2014 Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.

Jun 27, 2014 The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...

Jun 16, 2014 Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.

May 30, 2014 The long relationship between director and festival has never been without its complications.

Apr 18, 2014 The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Jan 13, 2014 With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.

Jan 6, 2014 Critics commonly describe Throne of Blood (1957) as Akira Kurosawa’s adaptation of Macbeth. While this description is certainly not untrue, the film is much more than a direct cinematic translation of a literary text. Kurosawa’s movie is a brilliant synthesis...

Nov 8, 2013 Did You See This?• Time out with Richard Linklater in a new video essay. • J. Hoberman on high art • Sketching Persona • Alain Delon and Robert Evans, men about town • Jan N?mec talks movies and music. •...

Oct 29, 2013 In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.

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