A Man

Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.

May 16, 2019 — Initial response to Silverstein’s first fiction feature is ranging from warm to very warm indeed.

May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...

Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Mar 28, 2019 — Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...

Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Feb 5, 2019 — The festival focuses on promising filmmakers few of us know much about yet and neglected treasures from the archives.

Jan 28, 2019 — With WR: Mysteries of the Organism, the late Serbian director made what Amos Vogel called “one of the most important subversive masterpieces of the 1970s.”

Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...

Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.