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May 19, 2011 — About selecting his favorites from the collection, world-class cinematographer John Bailey (Mishima: A Life in Four Chapters) says, “One of the greatest challenges in trying to compile a list like this is to separate the objectively ‘great’ films from the...

Apr 28, 2011 — When Criterion producer Susan Arosteguy was at the South by Southwest film festival in Austin, Texas, last month, she met local cooking teacher and cinephile Ron Deutsch in line for a screening. They got to chatting, and Ron told Susan...

Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.

Apr 18, 2011 — In this photograph of the Brattle Theatre circa 1953, you can see a sign that says “Opening Soon! Foreign Films.” The brilliant idea behind the sign belonged to Harvard classmates Cy Harvey and Bryant Haliday, without whom the Brattle Theatre...

Apr 12, 2011 — With his 1970 gangster epic Le cercle rouge, Jean-Pierre Melville finally landed his white whale.

From sweeping epics to more intimate, luminous films, this English filmmaker’s pictures were driven by his deep interest in complex characters, his brilliant way with actors, and his classic sense of storytelling.

This pioneer of American independent cinema made emotionally naked human dramas suffused with kinetic, heightened realism.

Jan 12, 2011 — Scott Morse is a storyteller with one foot in the world of comics and the other in the world of film. His books Soulwind, Tiger! Tiger! Tiger!, and the Kurosawa-inspired tale The Barefoot Serpent have garnered critical acclaim and a...

Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.

With his brilliant knack for composition, expertise at choreographing deadpan slapstick, and grandiose vision, this French mime turned filmmaker created one of the most enjoyable, singular oeuvres in film.