The Criterion Collection
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Essays
Aug 13, 2013 — John Frankenheimer burrows into the insidious side of the American sixties in his visually dazzling thriller.
Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.
Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
Essays
Aug 14, 2012 — The Dardennes threw down the gauntlet for a new type of unadorned dramatic storytelling with their breakthrough tale of a working-class boy’s fraught coming-of-age.
Essays
Jul 24, 2012 — Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.
Essays
May 9, 2012 — The paradox of the biopic is that the need to give fictional characters the kind of messy, defining behavior that makes them ring true—makes them, in the vocabulary of development, “relatable”—is usually overlooked when an actual life is condensed into...
Mar 13, 2012 — In the becalmed atmosphere of today’s Hollywood, it’s hard to imagine the tumult that greeted The Last Temptation of Christ when it was released in 1988. Brilliantly directed by Martin Scorsese, this adaptation of Nikos Kazantzakis’s imaginative retelling of the...
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.