The Criterion Collection
Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...
The Daily
Mar 16, 2022 — The dark shadow of Putin’s war hangs over much of this year’s program.
The Daily
Jan 26, 2022 — Rotterdam opens as Sundance winds down and Berlin sets up.
The Daily
Jan 21, 2022 — Welles, Hitchcock, Malick, Nuri Bilge Ceylan, and Jonas Mekas appear between the covers this month.
The Daily
Nov 30, 2021 — Maggie Gyllenhaal’s Elena Ferrante adaptation wins best feature, screenplay, and breakthrough director—and scores a nod for Olivia Colman, too.
Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...
The Daily
Aug 19, 2021 — The producer and distributor offers a portrait of an exhibitor who helped shape the art-house moviegoing experience.
The Daily
Aug 13, 2021 — This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.