Can-Can

Feb 27, 2019 — The festival’s announcement that Alejandro González Iñárritu will head the jury has us looking ahead to more highlights on the global calendar.

Feb 27, 2019 — Studio Visits Growing up in Houston, Texas, in the 1970s and ’80s, Greg Ruth fell in love with art but had a hard time imagining himself pursuing it professionally. But almost three decades of devotedly plying his craft as an illustrator in a...

Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...

Feb 25, 2019 — Turns out, not everyone loves a winner.

Feb 25, 2019 — Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of  its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...

Feb 22, 2019 — Oscar-nominated songs, the unsung Marielle Heller, Lois Weber, Germans in Paris, and more feature in this week’s round.

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Feb 21, 2019 — The Film Society of Lincoln Center’s series Neighboring Scenes spotlights promising new talents.

Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.

Feb 19, 2019 — A master at adapting literary classics for the screen, Luchino Visconti made a bold choice in emphasizing the homoerotic undertones in Thomas Mann’s novella.