The Criterion Collection
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Oct 9, 2018 — This adaptation of James Baldwin’s 1974 novel is a testament to the director’s professed influences.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.
The Daily
Oct 3, 2018 — Denis’s first feature in English—and her first foray into science fiction—stars Robert Pattinson and Juliette Binoche.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.