The Master

Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.

Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Feb 20, 2013 — In this clip from a new interview on our release of On the Waterfront, the Oscar-winning filmmaker Martin Scorsese talks to critic and programmer Kent Jones about how much Elia Kazan’s masterpiece meant to him as a young moviegoer.

Sep 19, 2012 — Marcel Carné’s tale of love and devilry in medieval France was a sensation during the German occupation.

May 11, 2012 — We spread the word about Larisa Shepitko, one of the true visionaries of Soviet cinema, when we released two of her incredible films in 2008, but she remains an under-the-radar figure for most movie lovers. By 1979, when she was...

Mar 17, 2008 — Francesco Rosi’s film is a painstakingly documented reconstruction of the nefarious relationships between the Mafia, banditry, and economic and political power in Sicily between 1943 and 1950.

Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.

Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...

May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...