The Criterion Collection
The Daily
Feb 8, 2018 — “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...
Feb 6, 2018 — A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.
Jan 24, 2018 — We begin with Rolling Stone’s David Fear: “Pick any random song by the Coup—we suggest ‘Fat Cats, Bigga Fish’ from their 1994 album Genocide & Juice, or ‘My Favorite Mutiny’ from 2006’s Pick a Bigger Weapon—and you'll get complex anti-corporate...
Jan 23, 2018 — “For the second consecutive year, Sundance showed an Academy-ratio film with Ghost in the title, but Bridey Elliott’s feature directorial debut Clara’s Ghost is decidedly not A Ghost Story,” begins Filmmaker’s Vadim Rizov. “Bridey stars along with father Chris, sister...
On the Channel
Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.
The Daily
Jan 14, 2018 — Let’s begin with a round of interviews. In his latest “Streaming” column in the New York Times, Glenn Kenny talks with John Pierson about Split Screen, the television program that debuted on IFC back in 1997 and is now streaming...
The Daily
Jan 8, 2018 — Hirokazu Kore-eda has begun work on an as-yet-untitled film already slated for release in Japan in June, reports Patrick Frater for Variety. “The story, which the director has been developing for some ten years, involves a small girl who is...
The Daily
Jan 4, 2018 — Even as we look ahead to the films we’re hoping to see this year, there’s still some 2017 sorting to do. And let’s begin with Farran Smith Nehme’s refreshing list of some of the older films she caught last year....
The Daily
Dec 30, 2017 — There’s been a furious flurry of list-making going on at IndieWire over the past couple of days. “IndieWire has reached out to a number of our favorite filmmakers to share with us their lists and thoughts on the best of...
The Daily
Dec 22, 2017 — “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...