The Criterion Collection
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
The Daily
May 12, 2018 — The five-part essay film is “infused in equal measures by despair and aspiration.”
The Daily
May 12, 2018 — An urgent dispatch from the conflict in eastern Ukraine is winning plaudits from critics.
The Daily
May 12, 2018 — Critics are split over this Egyptian road movie, the only debut feature in competition.
The Daily
May 10, 2018 — The followup to Mrs. Fang is an oral history of China’s “Anti-Rightist Campaign” in the late 1950s.
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
The Daily
May 9, 2018 — The first film from Kenya in Cannes’s Official Selection has already been banned at home.
May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.