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May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

May 24, 2024 The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 23, 2024 Celebrating a forty-year career, DCTV presents a twenty-four-film retrospective.

May 22, 2024 Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 21, 2024 The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

May 20, 2024 Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

Light in Stereo

The Daily

May 17, 2024 We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 14, 2024 Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

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