Mar 20, 2018 New York. The seventeenth Tribeca Film Festival, running from April 18 through 29, “will celebrate the anniversaries of Brian De Palma’s Scarface, Steven Spielberg’s Schindler’s List, and Alexandre Rockwell’s In the Soup, bringing three cinematic treasures back to the big...

Mar 20, 2018 The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.

Mar 20, 2018 Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.

Mar 19, 2018 New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...

Composing for Cassavetes

On the Channel

Mar 16, 2018 In a new documentary on FilmStruck, composer and sound recordist Bo Harwood discusses his close collaboration with John Cassavetes and the music he composed for six of his films.

Mar 16, 2018 Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.

Mar 14, 2018 Tilda Swinton will star in Apichatpong Weerasethakul’s next feature, reports Jordan Raup at the Film Stage. “Titled Memoria, it will mark the Palme d’Or-winning director’s first film shot outside Thailand, with a 2019 production planned in Colombia. ‘During the 70s...

Mar 14, 2018 New York’s Film Forum presents the theatrical premiere of a rare, eight-hour masterwork from Rainer Werner Fassbinder.

SXSW 2018 Awards

The Daily

Mar 13, 2018 Jim Cummings’s Thunder Road has won Grand Jury Award in the 2018 SXSW Narrative Feature Competition, and Hao Wu’s People’s Republic of Desire takes the Grand Jury award in the Documentary Feature Competition. Here’s the complete list of winners with...

Mar 13, 2018 Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

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