The Criterion Collection
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
May 9, 2023 — The Austrian Film Museum pairs features by the great French directors Jacques Becker and Claude Sautet.
The Daily
May 5, 2023 — Along with an interview with Straub-Huillet, we’re reading a Taiwanese wuxia primer and assessments of work by Shinji Somai and Apichatpong Weerasethakul.
The Daily
May 4, 2023 — The Thai artist and director picks ten features to screen alongside his own work in New York.
The Daily
May 3, 2023 — The third edition of New York’s festival of experimental documentary and avant-garde film is on through Sunday.
The Daily
Apr 28, 2023 — This week’s highlights whiplash from a vibrant club scene to the chaotic final days of the Ceaușescu regime, hitting several disparate points in between.
The Daily
Apr 27, 2023 — The critic and filmmaker has put together a series that celebrates “a New York of the collective imagination.”
Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.
The Daily
Apr 25, 2023 — The festival adds thirteen features and a new short film by Pedro Costa.
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.