The We and the I

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.

Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.

Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....

Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...

May 13, 2011 — Craig McCall’s labor of love documentary Cameraman: The Life and Work of Jack Cardiff, a darling of the film festival circuit over the past year, opens today in New York and in a couple of weeks in Los Angeles. A...

Feb 8, 2011 — After months of polling directors, actors, writers, producers, critics, and other people from the film industry and repertory world, Time Out London has compiled and published an easily navigable list of the hundred best British films ever made. And you...

Dec 7, 2010 — “Eroticism,” Luis Buñuel told an interviewer, “is a diabolic pleasure that is related to death and rotting flesh.” No filmmaker conveys this idea with more ingenuity and macabre gusto than David Cronenberg, whose movies (hilariously, terrifyingly) illustrate the equation of...