The Criterion Collection
May 23, 2017 — “If you told me you could make a modern Christmas classic largely set outside a doughnut shop on Santa Monica Boulevard, centered on transgender prostitutes and shot on iPhones, I wouldn’t have believed you,” begins Ben Kenigsberg at RogerEbert.com. “But...
May 22, 2017 — “The Meyerowitz Stories (New and Selected) isn’t the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be the most humane,” writes David Ehrlich at IndieWire. “While all of his films have a cutting...
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
May 22, 2017 — “She is an 88-year-old film directing icon with a two-tone purple rinse,” begins David Jenkins at Little White Lies. “He is a 33-year-old photographer and conceptual artist who likes to wear a silly little trilby hat. Together, they amble around...
May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Features
Apr 10, 2017 — An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.
In Theaters
Mar 16, 2017 — Repertory PicksThis coming Saturday, as part of its weekly late-night program After Hours, Florida’s Coral Gables Art Cinema will cede the big screen to Roman Polanski’s descent-into-madness classic Repulsion. The thirty-year-old Polanski won worldwide acclaim with his debut feature, the...
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.