The Criterion Collection
Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.
Jul 12, 2023 — The award-winning actor talks about training with Lee Strasberg, her involvement in the Actors Studio, and her on- and off-screen contributions to two of her most important films.
Jun 14, 2023 — In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 23, 2023 — Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.
Essays
May 16, 2023 — Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”
The Daily
Apr 26, 2023 — The activist, singer, and actor dealt with stardom on his own terms.
Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.
The Daily
Apr 13, 2023 — Martin Scorsese, Wes Anderson, Hirokazu Kore-eda, Nuri Bilge Ceylan, Alice Rohrwacher, Todd Haynes . . .