He Was Once

Apr 22, 2019 — When Criterion art director Eric Skillman reached out to me with the opportunity to work on Diamonds of the Night, he started with the statement “I couldn’t get your new work out of my head as I watched the film.”...

Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.

Apr 16, 2019 — In a Lonely Place (1950), screening Friday at MoMA, and The Big Heat (1953), featured on the Criterion Channel, score high on Slant’s list of top noirs.

Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Mar 14, 2019 — As a new collection of Tarkovsky’s writing is released, the Close-Up Film Centre presents presents side-by-side series of work by the two friends.

Mar 12, 2019 — The first few days have also seen premieres of new films by Lynn Shelton, Jonathan Levine, and Olivia Wilde.

Feb 25, 2019 — Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of  its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...

Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.

Feb 12, 2019 — The competition is struggling as China yanks one film and theater owners threaten another.