The Criterion Collection
Interviews
Mar 27, 2019 — Certain films find a way of creeping into your brain because they invite you to explore whole new worlds that continue well beyond their final frames. These movies force you to keep looking for answers to questions posed not just...
Sneak Peeks
Mar 27, 2019 — From the beginning of his career, Mexican filmmaker Carlos Reygadas has strived to find a balance between careful planning and the spontaneity of the moment. For our edition of his feature debut, Japón, an existential tale that follows the spiritual...
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...
Tech Corner
Mar 25, 2019 — In early 2007 the UCLA Film & Television Archive received a call from Hollywood Film and Video announcing that the lab was, sadly, closing—and clearing its vaults in two days’ time. Anything left was doomed to the dumpster. The next...
On the Channel
Mar 22, 2019 — The Criterion Channel launches on April 8, and we’re excited to share our first month’s lineup! The April calendar of thematic programming highlights an eclectic mix of classic and contemporary films from Hollywood and around the world, many not streaming anywhere...
Mar 19, 2019 — New work by the artist and filmmaker is on view in the UK and Norway and at the Big Ears Festival.
Essays
Mar 19, 2019 — A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...
Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...
Sneak Peeks
Mar 13, 2019 — Ingmar Bergman was a master of both screen and stage, and in his 1975 version of The Magic Flute, he merged the two mediums to enchanting effect. He couldn’t have chosen more inspiring material to showcase his gift for capturing...
The Daily
Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.