The Criterion Collection
Nov 15, 2017 — At the American Film Festival that wrapped a couple of weeks ago in Wroclaw, Poland, IndieWire’s Eric Kohn has had early looks at four works in progress: Writer-director-cinematographer John Maringouin’s Ghost Box Cowboy, “an often absurdist commentary about capitalism gone...
Oct 10, 2017 — Mia Hansen-Løve is about to begin shooting her sixth feature, Maya, featuring Roman Kolinka (who's worked with Hansen-Løve on Eden, andThings to Come), Aarshi Banerjee, Alex Descas, Judith Chemla, and Johanna ter Steege. Fabien Lemercier reports for Cineuropa: “Written by...
The Daily
Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...
Aug 4, 2017 — Olivier Assayas’s next project is E-book, a “full-blown comedy” starring starring Juliette Binoche, Guillaume Canet, Vincent Macaigne, Christa Theret and Pascal Gregory, report John Hopewell and Emiliano Granada for Variety. In Locarno, where he’s currently presiding over the competition jury,...
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.
May 29, 2012 — A watershed film in Bergman’s career, this tale of a woman caught between the past and present is a masterful study in darkness and light.
Dec 6, 2011 — One of the delights of Alfred Hitchcock’s comic thriller is the wit with which it pins down a distinctly British insular mindset.
Aug 9, 2011 — Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.
Apr 30, 2009 — The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...