Persona

Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.

Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Oct 26, 2012 — Now here’s a real haunted house for movie lovers. For a special feature on our Blu-ray and DVD editions of his film Cronos, Guillermo del Toro invited us inside his phantasmagorically decorated home offices, which the director has nicknamed Bleak...

Oct 11, 2012 — On October 11, 1987, David Mamet’s first film, the diabolically tricky House of Games, made its U.S. premiere as the closing-night selection of the New York Film Festival. Mamet had already conquered the world of theater, winning a Pulitzer Prize...

Oct 9, 2012 — British wartime audiences ate up these rule-breaking costume pictures—entertainments for a populace seeking escapism.

Oct 4, 2012 — Louis Malle is remembered primarily as a fiction filmmaker, but he had a parallel career as a documentarian. In fact, he got his start in nonfiction: when he was just twenty-three years old, Malle was given the opportunity to collaborate...

Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.

Sep 10, 2012 — The term quadrophenia had multiple meanings for the Who. In both the 1973 album and the 1979 film titled with it, it is meant to evoke the personality of Jimmy, the protagonist, divided into four parts, each in conflict with...

Sep 7, 2012 — Did You See This? • We are very impressed. • Talking cult cinema with Eating Raoul’s Mary Woronov • Some fantastic out-of-the-way theaters, from the underground to the grandiose • Digging deeper with Cronenberg • Mailer’s unorthodox Hamptons excursion •...

Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.