The Criterion Collection
Essays
Jul 19, 2004 — Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”
Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Essays
Jun 4, 2001 — Mario Monicelli’s caper comedy is that genuine rarity in popular culture: a satire that not only helped kill off one movie genre, but started a whole new subgenre in the process.
Essays
Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.
Essays
Jan 29, 2001 — Masahiro Shinoda’s historical drama uses traditional elements of Japanese theater to explore the tension between ethics and eroticism.
Mar 31, 2026 — Claude Lelouch’s Palme d’Or–winning breakout hit combines elements of a classic Hollywood love story with dynamic photography, an edgy editing style, and a naturalistic sense of character and location.