A Misappropriated Turkey

Feb 16, 2018 — Critic Maitland McDonagh incisively examines the character of Clarice in Jonathan Demme’s The Silence of the Lambs and how her perspective as a woman informs the way she sees forensic evidence.

Feb 15, 2018 — Three formally daring short works by Chantal Akerman will play in a monthlong retrospective of the director’s work at the Cinémathèque française.

Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.

Feb 8, 2018 — With the XXIII Olympic Winter Games kicking off tomorrow, we’re sharing a series of supercuts highlighting breathtaking moments from our colossal box set 100 Years of Olympic Films: 1912–2012.

Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.

Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

Feb 2, 2018 — On the fiftieth-anniversary commemoration of the armistice that ended World War I, the French television program Les dossiers de l’écran showed G. W. Pabst’s Westfront 1918 to a group of veterans and asked for their reactions.

Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.

Jan 31, 2018 — To introduce a new section of short pieces on the Criterion Channel, we’re sharing a video about one of Orson Welles’s favorite actorly aids: prosthetic noses.

Jan 22, 2018 — Today, we celebrate Jim Jarmusch’s birthday with a look back at some of the writing we’ve published on his films over the years.