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Two People

May 14, 2016 Our release of Albert and David Maysles’s 1976 documentary Grey Gardens—an intimate portrait of reclusive mother and daughter Edith and Edie Bouvier—has finally made its way to the United Kingdom. To mark the occasion, British website AnOther has just published...

May 12, 2016 When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.

May 6, 2016 The distinctive musician and composer discusses his instinctive approach to composition and the value of a total immersion into a film’s world.

Apr 29, 2016 The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Apr 26, 2016 “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

Apr 14, 2016 In honor of our disc release last week of the classic John Frankenheimer thriller The Manchurian Candidate, we sat down to talk about the film with the director’s widow, actor Evans Frankenheimer.

Apr 12, 2016 Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Apr 4, 2016 Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...

Mar 31, 2016 Since its initial release more than half a century ago, Vittorio De Sica’s Bicycle Thieves has been lauded as one of cinema’s greatest achievements. Loosely adapted from a novel by Luigi Bartolini, the film centers on a father’s quest—with his...

Mar 24, 2016 Repertory PicksThis week, the University of Chicago’s Doc Films kicks off a two-month-long Abbas Kiarostami series, starting with the Iranian director’s 1990 masterwork Close-up. Taken from the real-life story of Hossain Sabzian, a young man put on trial in Tehran...

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