The Criterion Collection
Mar 28, 2023 — Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
The Daily
May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
The Daily
Mar 10, 2022 — The Austin festival will stage its first in-person event since 2019.
Oct 19, 2021 — The works of great artists have a way of reactivating fundamental questions about the nature and potential of an art form. In the case of filmmaker Lynne Ramsay, these questions revolve around a word that has been used routinely to...
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
Aug 31, 2021 — Cary Joji Fukunaga’s devastating child-soldier movie unflinchingly captures the shock of war without forsaking the complexity of human experience.
Essays
May 1, 2021 — Filmmaking, at its best, has always sought to bear witness to, and create new perspectives on, our lived realities. But no one has mined the eccentric possibilities of the cinematic medium to address the vertiginous social and cultural changes borne...
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...