The Criterion Collection
The writer and director reminisces about seeing Black Girl in the cinema with his mom as a child, shares how True Stories and Election influenced his approach to filmmaking, and talks about the emotional truth behind the visual artifice of...
The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how Klute awakened her love for film noir, and talks about why she keeps returning to The Mother and the Whore.
The writer and director returns to the Criterion Closet, where he talks about the infectious energy of Night and the City, shares why Beau travail and Cold Water were transformative works for independent filmmakers in the 1990s, and praises the...
One of the steamiest erotic thrillers ever made; a strikingly raw debut feature; a prescient ecofeminist parable; a moving tale of generational trauma and healing; a freewheeling showbiz drama; a crime thriller set in postwar Japan; and a loving snapshot...
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...
The screenwriter and director talks about the timelessness of Brief Encounter, praises the performances of Richard Burton in The Spy Who Came in from the Cold and Marlon Brando in One-Eyed Jacks, and reminisces about discovering French cinema at an...
The actor, comedian, and screenwriter shares why he thinks Secrets & Lies is Mike Leigh’s “juiciest” work, praises the powerful simplicity of The Celebration, and selects contemporary films that have inspired him, like Anatomy of a Fall and The Worst...
Three indelible tales of Black urban life; a 1960s revenge thriller; a blockbuster biblical comedy; a glittering pre-Code jewel; the most sensual Hollywood noir; six woman-centered features from Japan; and a ravishing vision of a world where humans have forsaken...
The actor and director talks about the making of some of his favorite films, including Shampoo and The Awful Truth; praises the precision of No Country for Old Men; and shares how The Friends of Eddie Coyle has inspired his...
The longtime friends and collaborators praise The Bitter Tears of Petra von Kant and Klute as two of the most fashionable films of all time, share in their terror of Funny Games, and recommend favorites to each other like Flow...