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Come svaligiammo la banca d’Italia

Oct 18, 2016 Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Oct 6, 2016 We’re excited to share the latest news about the launch of FilmStruck and the Criterion Channel.

Oct 5, 2016 Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.

Oct 4, 2016 This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.

NYFF Roundup and More

Short Takes

Sep 30, 2016 Did You See This? In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s The Battle of Algiers, Tomás Gutiérrez Alea’s Memories of Underdevelopment,...

Sep 27, 2016 This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Sep 21, 2016 An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.

Sep 13, 2016 Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Sep 12, 2016 During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.

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