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Nov 20, 2019 — A new collection of essays connects the dots between Farber’s paintings and film criticism.

Nov 19, 2019 — Contributors to RogerEbert.com and the A.V. Club as well as Time’s Stephanie Zacharek and more pick their favorite films of the decade.

Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...

Nov 17, 2019 — Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...

Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

Nov 15, 2019 — This week’s highlights take us from post-apocalyptic cityscapes to the deepest jungles of Southeast Asia, from the sound stages of Hollywood to the coal mines of West Virginia.

Nov 12, 2019 — Thai filmmaker Sorayos Prapapan’s Death of the Sound Man begins with a black screen accompanied by the mysterious but unmistakably sexual sound of someone slurping. Shortly after, the first shot reveals a young man in a sound booth fellating a...

Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...