Us and Them

Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.

Feb 19, 2015 — The scholar and producer talks about his experiences on the set of a film that changed his life.

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.

Aug 31, 2011 — City symphony or spa burlesque? Polemic or caprice? From the outset, even in his manifesto lecture “Towards a Social Cinema,” delivered to the Groupement des Spectateurs d’Avant-Garde at Paris’s Le Vieux-Colombier before what was only the second public screening of À propos...

Sep 16, 2010 — Seven years ago, I was a bright-eyed recent university grad who had just moved to the big city—Toronto—for the first time. I was struggling to find my path as a filmmaker, and at the Toronto International Film Festival that year,...

Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...

Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.

Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.