The Criterion Collection
Essays
Feb 22, 1999 — Flipping around the channels of late-night TV in my Tokyo apartment in 1984 I came across what seemed like a B movie from the ’60s. The studio: Nikkatsu. The star: Joe Shishido. The director: Seijun Suzuki. I was not at...
On the Channel
Nov 10, 2016 — In the first installment of an ongoing original series in which artists talk about their formative cinephile experiences, comedian and actor Bill Hader recalls the awkward time he forced a girlfriend to watch Barton Fink.
The actor and director talks about his formative experiences watching Miller’s Crossing, Hollywood Shuffle, and The Elephant Man; praises films by past collaborators, including Richard Linklater and Terrence Malick; and shouts out a very special Criterion commentary.
The writer, director, and actor admires the physical comedy of Pierre Etaix and the hallucinatory world of House, recalls formative experiences watching Y tu mamá también and The Virgin Suicides, and shares why he relates to the protagonist of Where...
The Daily
Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .
Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
The Daily
Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.
The Daily
Aug 16, 2022 — The big winners at the festival’s seventy-fifth edition were Julia Murat and first-time director Valentina Maurel.
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.