The Criterion Collection
Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...
Features
Jan 24, 2020 — All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.
The Daily
Apr 14, 2018 — La Repubblica’s Alessandra Vitali is among the many Italian journalists reporting on today’s passing of Vittorio Taviani at the age of eighty-eight. In 2013, Ryan Gilbey, writing for the Guardian, declared that Taviani and his brother, Paolo, eighty-six, “are among...
The Daily
Nov 10, 2017 — New York. “The star of Lost Landscapes of New York is the city itself—or rather the city of dreams and memories,” begins Manohla Dargis in the New York Times. “Created by the archivist Rick Prelinger, this wondrous compilation turns old...
Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...
The Daily
Jul 24, 2017 — In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
Interviews
Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.
Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.