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The Drama

Oct 24, 2023 A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Jan 24, 2020 All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...

Jun 11, 2018 Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.

Apr 14, 2018 La Repubblica’s Alessandra Vitali is among the many Italian journalists reporting on today’s passing of Vittorio Taviani at the age of eighty-eight. In 2013, Ryan Gilbey, writing for the Guardian, declared that Taviani and his brother, Paolo, eighty-six, “are among...

Nov 10, 2017 New York. “The star of Lost Landscapes of New York is the city itself—or rather the city of dreams and memories,” begins Manohla Dargis in the New York Times. “Created by the archivist Rick Prelinger, this wondrous compilation turns old...

Aug 30, 2017 “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...

Jul 24, 2017 In Issue 13 of Alphaville: Journal of Film and Screen Media, editors Loretta Goff and Caroline V. Schroeter “bring together eight articles from around the world that interrogate the representation of race, ethnicity and identity on screen.”Kenta McGrath writes about...

May 23, 2017 In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

Aug 18, 2003 The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

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