The Criterion Collection
Aug 17, 2009 — Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to...
Jun 22, 2009 — So much critical ink has been shed over Last Year at Marienbad that one might wonder if the flood of commentary, once receded, would take the film along with it. Alain Resnais’ second feature has been lavishly praised and royally...
Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.
Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...
Production Notes
Jan 17, 2007 — This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...
Nov 28, 2006 — Paris. We landed here yesterday at midday, and after a quick stop at our hotel, executive producer Fumiko Takagi and I headed straight to the offices of TF1 and Canal+ in Issy-les-Moulineaux for meetings. Issy is not what you think...
Aug 14, 2006 — La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....
Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....
Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...
Jun 13, 2005 — Ernst Lubitsch was a big-city director. The historical dramas that he made in Germany in the late 1910s and early 1920s were known around the world for their distinctively urbane approach, focusing on the private lives of public people. This...