Get Out

May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.

May 5, 2014 — The celebrated divot points manfully toward the crest of the next hill, and the next, and the next, and to the horizon after that. Always forward! Into the sunset! Kirk Douglas is on the move: a wagon train of grimace,...

Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.

Mar 11, 2014 — Presenting  five poor, black and white North Carolina preteens as they awaken to love and death, George Washington (2000) tells a common adolescent story, yet the film is distinguished by the poetic, ruminative style of its twenty-five-year-old director, David Gordon...

Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...