The Life of an Actor

Jun 22, 2017 — Repertory Picks This coming Saturday and Monday, Portland’s NW Film Center will screen Ernst Lubitsch’s 1942 screwball masterpiece To Be or Not to Be in 35 mm. Released during the height of World War II, this zinger-filled satire stars Carole...

Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

May 23, 2017 — “If you told me you could make a modern Christmas classic largely set outside a doughnut shop on Santa Monica Boulevard, centered on transgender prostitutes and shot on iPhones, I wouldn’t have believed you,” begins Ben Kenigsberg at RogerEbert.com. “But...

Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.

Jul 7, 2016 — In honor of the director, we look back at his quintessentially American narratives.

Mar 11, 2016 — Valley of Love (2015), dir. Guillaume Nicloux “Filmmaking is a collective assemblage of desires,” said Isabelle Huppert when we sat down to talk on a recent morning. We were speaking about how she picks her roles, and how her own intuition...

Feb 24, 2016 — Mike Nichols’s American classic The Graduate launched the career of Dustin Hoffman and made him one of the most sought-after actors of his generation. Up to that point, Hoffman had mainly been performing off-Broadway and taking small roles in film...

Jul 23, 2015 — The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...