The Criterion Collection
Essays
Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...
Essays
Oct 18, 1998 — 1986 was not a good time to make a film which attempted to capture the Punk spirit. Deep into second-term Reagan/Thatcher, American and British pop culture were infected with cynicism, hopelessness, immobility. So when Alex Cox came over with his...
On the Channel
Aug 3, 2017 — In honor of one of the great leading ladies of French cinema, who passed away earlier this week, the Criterion Channel features ten of her most memorable performances.
Mar 4, 2016 — Over the past half century, production designer Jack Fisk has created some of cinema’s most memorable on-screen worlds—from the farmlands of early-twentieth-century Texas to the byways of contemporary Los Angeles.
The Daily
Aug 15, 2024 — Late August, early September—this is the perfect spot on the calendar for the Rozier retrospectives in New York and Los Angeles.
The Daily
Jan 15, 2021 — This week we’re reading Greg Tate on MLK/FBI, Ian Christie on the decadence of early British cinema, and Reverse Shot’s 2020 top ten.
The Daily
Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.
Jul 9, 2018 — His days as an on-screen heartthrob peaked in the 1950s and early ’60s, but John Waters made him a star all over again.
Short Takes
Sep 15, 2016 — From its formal and technical complexity to its potent social commentary, Mizoguchi’s early-career masterpiece The Story of the Last Chrysanthemum offers a rich learning experience for directors seeking to hone their craft.