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Us in the End

Sep 9, 2022 New films by Andrew Dominik, Paul Schrader, Rebecca Zlotowski, Alice Diop, and Florian Zeller premiere in Venice.

Aug 19, 2022 Věra Chytilová, Lodge Kerrigan, and the first zombies are back in theaters; plus, a tour of installations by Agnès Varda.

Jul 26, 2022 A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.

Jun 28, 2022 Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Apr 28, 2022 For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Jan 11, 2022 A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.

Dec 2, 2021 Artforum opens the season, and we already have best-of-2021 lists from Cahiers du cinéma and Vanity Fair.

Sep 24, 2021 The celebration of the life and work of the filmmaker, novelist, rebel, and father has just begun.

Sep 16, 2021 As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

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