The Criterion Collection
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
The Daily
May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.
The Daily
May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.
The Daily
May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.
The Daily
May 17, 2019 — In the news this week: Francis Ford Coppola, Raúl Ruiz, Joanna Hogg, and Lou Ye.
The Daily
May 16, 2019 — Initial response to Silverstein’s first fiction feature is ranging from warm to very warm indeed.