Apr 20, 2010 In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...

Mar 23, 2010 In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Mar 17, 2010 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

Mar 16, 2010 More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Feb 17, 2010 The feature film debut of British artist Steve McQueen, Hunger dramatizes the final weeks in the life of Irish Republican Army commander Bobby Sands and his death by hunger strike, aged twenty-seven, in 1981. Combining intense formal control and extreme...

Feb 5, 2010 Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman’s attitude toward “truth” and “realism” in cinema and life. “I don’t think anybody remembers the truth, the facts,” the great filmmaker said. “You remember...

Jan 25, 2010 Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war that made many of them voiceless, faceless, and nameless victims. But...

Why Che?

Essays

Jan 18, 2010 Steven Soderbergh’s Che depicts the two military campaigns that defined the rise and fall of Ernesto “Che” Guevara, hero of the Cuban Revolution, who became in death a global icon of militant leftism—and of inchoate adolescent rebellion. As the latter,...

Dec 21, 2009 Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...

Dec 11, 2009 This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

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