The Criterion Collection
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.
Nov 19, 2018 — Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
The Daily
Nov 14, 2018 — He transformed a fledgling comic book publisher into a juggernaut brand.
The Daily
Nov 14, 2018 — The history of Hollywood is the focus of this round, but its reach also extends well beyond.
The Daily
Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.