Filmmaker

Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.

Mar 16, 2018 — In a new documentary on FilmStruck, composer and sound recordist Bo Harwood discusses his close collaboration with John Cassavetes and the music he composed for six of his films.

Mar 15, 2018 — Agnès Varda’s Mur Murs, a diverse and dynamic portrait of public art on the streets of Los Angeles, screens tonight at Omaha’s Film Streams.

Mar 14, 2018 — We begin with news from the two big festivals of April. SFFILM has now completed the lineup of for this year’s San Francisco International Film Festival, running from April 4 through 17 in theaters throughout the Bay Area. 183 films...

Mar 14, 2018 — Tilda Swinton will star in Apichatpong Weerasethakul’s next feature, reports Jordan Raup at the Film Stage. “Titled Memoria, it will mark the Palme d’Or-winning director’s first film shot outside Thailand, with a 2019 production planned in Colombia. ‘During the 70s...

Mar 14, 2018 — New York’s Film Forum presents the theatrical premiere of a rare, eight-hour masterwork from Rainer Werner Fassbinder.

Mar 13, 2018 — Jim Cummings’s Thunder Road has won Grand Jury Award in the 2018 SXSW Narrative Feature Competition, and Hao Wu’s People’s Republic of Desire takes the Grand Jury award in the Documentary Feature Competition. Here’s the complete list of winners with...

Mar 12, 2018 — After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...

Mar 12, 2018 — When the SXSW Film Festival presented the world premiere of Steven Spielberg’s Ready Player One last night, “technical difficulties KO’ed the sound for the second time in a row, bringing the dizzying, VFX-fueled video game adventure to a grinding halt...

Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...